Wednesday, January 4, 2012

The Raven

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visitor," I muttered, "tapping at my chamber door-
Only this, and nothing more."
 
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;- vainly I had sought to borrow
From my books surcease of sorrow- sorrow for the lost Lenore-
For the rare and radiant maiden whom the angels name Lenore-
Nameless here for evermore.
 
And the silken sad uncertain rustling of each purple curtain
Thrilled me- filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
"'Tis some visitor entreating entrance at my chamber door-
Some late visitor entreating entrance at my chamber door;-
This it is, and nothing more."
 
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"- here I opened wide the door;-
Darkness there, and nothing more.
 
Deep into that darkness peering, long I stood there wondering,
fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore!"
This I whispered, and an echo murmured back the word, "Lenore!"-
Merely this, and nothing more.
 
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore-
Let my heart be still a moment and this mystery explore;-
'Tis the wind and nothing more."
 
Open here I flung the shutter, when, with many a flirt and
flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed
he;
But, with mien of lord or lady, perched above my chamber door-
Perched upon a bust of Pallas just above my chamber door-
Perched, and sat, and nothing more.
 
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
"Though thy crest be shorn and shaven, thou," I said, "art sure no
craven,
Ghastly grim and ancient raven wandering from the Nightly shore-
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
 
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning- little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door-
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."
 
But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered- not a feather then he fluttered-
Till I scarcely more than muttered, "other friends have flown
before-
On the morrow he will leave me, as my hopes have flown before."
Then the bird said, "Nevermore."
 
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore-
Till the dirges of his Hope that melancholy burden bore
Of 'Never- nevermore'."
 
But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and
door;
Then upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore-
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."
 
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er,
She shall press, ah, nevermore!
 
Then methought the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose footfalls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee- by these angels he
hath sent thee
Respite- respite and nepenthe, from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the Raven, "Nevermore."
 
"Prophet!" said I, "thing of evil!- prophet still, if bird or
devil!-
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted-
On this home by horror haunted- tell me truly, I implore-
Is there- is there balm in Gilead?- tell me- tell me, I implore!"
Quoth the Raven, "Nevermore."
 
"Prophet!" said I, "thing of evil- prophet still, if bird or
devil!
By that Heaven that bends above us- by that God we both adore-
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore-
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the Raven, "Nevermore."
 
"Be that word our sign in parting, bird or fiend," I shrieked,
upstarting-
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my
door!"
Quoth the Raven, "Nevermore."
 
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamplight o'er him streaming throws his shadow on the
floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted- nevermore!


This poem is considered Edgar Allan Poe's most famous poem, and that it why it interests me. I also remember reading it in sixth grade, so I really wanted to come back six years later and reread it. The main character in the poem, the Raven, is such a unique character to write a poem about, but Poe masters it. I love the opening line; it sets the tone for the rest of the poem. On one hand, the opening seems a bit cliche, yet it still draws you in and the suspense makes you want to keep reading. The constant repetition of the word "nevermore" allows this poem to leave a lasting effect on the reader, which is probably one of the reasons it is so popular. The plethora of symbols in "The Raven" contribute to why this is such a highly regarded poem. The obvious symbol of the black raven, considered to be a bad omen, allows the speaker of the poem to think about the deceased Lenore on the dark night in December.

Literary Devices:
Allusion: Nepenthe was a mythological drug taken to forget grief.  
"Respite- respite and nepenthe, from thy memories of Lenore! Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"" (lines 82-83)
Meter: Trochaic Octameter (eight feet)
Rhyme: End Rhyme lore-door-more-floor-Lenore-evermore (lines 2, 4, 6, 8, 10, 12)

8 comments:

  1. Comment on this poem please! Something to start off with could be why do you think this is Edgar Allan Poe's most famous poem? Or what aspects of this poem do you like or dislike?

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  2. I remember reading this poem in sixth grade too!! I loved it then but after reading it a few years later, I can better understand whats going on and can have a better connection with the overall idea of the poem. This poem is one of the most well known poems in the world and probably one of Edgar Allan Poe's most famous poems. I think it probably has to do with the theme or purpose of the poem: how a young man is mourning the loss of his lover, Lenore, and the raven who is "rapping, rapping at [his] chamber door" is a symbol of the grief the speaker feels for his loss. I also believe it probably has to do with the repetition of the word "nevermore" because it is always seen, in some form or another, in the last line of each stanza. I believe the word "nevermore" is used to show that the reader will forever be tortured by the raven appearing and will never be able to let go of the grief he feels over his untimely loss.

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  3. I read this poem in seventh grade. I think the word "nevermore" refers to the death of Lenore. He will never see her or talk to again. This is probably his most famous poem because the lines are so memorable. Who doesn't know the lines "Once upon a midnight dreary"? The symbolism is obvious, but is also fairly clever and allows the poem to be understood while also giving it depth.

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  4. I remember reading this poem sometime during middle school, but I can't remember exactly what grade. As Eden pointed out, "Once upon a midnight dreary" is an extremely well-known line (although I had forgotten it came from this poem). I think one of the reasons why it is so famous is because the situation in which someone loses a love or a significant person in their lives is an universal concept. Almost everyone by this age has felt a painful loss at some point in their life. The raven is also a universal symbol, as a dark omen, often of death. I think it's the message that speaks to almost any audience or reader that has made it so well-known.

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  6. What I like about this poem is the rhyming and rhythm. I love to read poems aloud, and the steady beat of each verse evoked by the rhyme scheme drew my attention immediately. Even though it is a very long poem, I never lost interest - in fact as the speaker grows more disconcerted and frantic in the later verses, the unfaltering rhythm, repetition, and stresses on certain syllables only increases tension.

    “WHAT this GRIM, unGAINly, GHASTly, GAUNT and OMInous BIRD of yore”

    The repeated word "Nevermore" definitely is one way that Poe expresses the speaker's hopelessness and complete despair, but I also think Poe represents the speaker's inability to change with the steady and almost unforgiving rhyme scheme in each verse.

    As for why this poem is Poe’s most famous, I think it’s because it was written so that readers are moved to feel mixed emotions of dread, despair, bitterness, longing, and terror along with the speaker. Its use of imagery, symbolism, and, again, rhyming and rhythm, is brilliant.

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  7. While a man mourns the loss of a loved one (Lenore) the raven comes to visit and witnesses the sadness felt by the man. I found this poem very interesting, and understand the appeal to a wide-range audience. With the use of literary devices including imagery and rhyme, I continued to be interested, throughout the story, just as narrator’s interest in the raven continues over time. The insanity of the man becomes obvious as the poem continues, as he continues to question the bird about itself and its origin. Dealing with death, and using the raven as a sign of “evil” and the “devil,” as well as bleak terms to create an eerie setting, this poem is very depressing. Even with this outcome, this poem continues to be a popular, filling the reader with a range of emotions.

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  8. In middle school, a friend of mine memorized this whole poem. She repeated it so many times, it got drilled into my head- and I can see why it's easy to remember. This poem plays with rhythm and rhyme brilliantly. "Ah, distinctly I remember it was in the bleak December, and each dying seperate ember wrought its ghost upon the floor." There's lots of rhyming, not only at the end of each line, but within each line. "While I nodded, nearly napping, suddenly there came a tapping..." As Ashley mentioned, the repetition of "rapping at my chamber door" and "nevermore" and the accented syllables makes this poem's lines easy to remember.

    This poem's tone is one of sadness and suspense, as the man attempts to get an answer out of the raven. Driven mad by grief and uncertainty, we can see the depth of his sorrow through his madness.

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